Grace Tiffany is an American writer and Shakespeare scholar. She's edited Shakespeare's The Tempest and written articles and nonfiction books about Renaissance literature, as well as seven novels, including Will (Berkley 2004), My Father Had a Daughter (Berkley 2003), Ariel (HarperCollins 2005), The Turquoise Ring (Berkley 2005), Paint (Bagwyn Books 2013), Gunpowder Percy (Bagwyn, 2016), and The Owl Was a Baker's Daughter (forthcoming from Harper in 2025). Her first novel, My Father Had a Daughter, appeared on the Booksense 76 independent bookstores’ best-books list of 2003. Her fourth, Ariel, was listed as a best book by the National Library Assocation in 2006. Her third novel, The Turquoise Ring, is a retelling of Shakespeare's The Merchant of Venice from the perspective of the five women in the play. The book has been translated into Hebrew, Russian, and Hungarian (Magyar). Renowned Columbia University Shakespeare scholar James Shapiro has called The Turquoise Ring one of the six best creative adaptations of Shakespeare in history, grouping it with Millais' painting Ophelia and Tom Stoppard's dark comedy Rosencrantz and Guildenstern Are Dead. Tiffany's 2016 Gunpowder Percy follows the fortunes of one of the ringleaders of the infamous Gunpowder Plot, an instance of early-modern religious terrorism, and its chilling punishments, in England. Her 2013 novel, Paint, is based on the turbulent life of seventeenth-century poet Emilia Lanier, a reputed lover of Shakespeare and one of the first Englishwomen to see her writing in print. (Read Michigan Live's discussion of Paint at: http://www.mlive.com/entertainment/kalamazoo/index.ssf/2013/12/6_facts_about_the_scandalous_p.html.)
Tiffany's newest novel, The Owl Was a Baker's Daughter, explores the painful fracturing of a family caught up in the political and religious struggles of the English Civil War. The book is forthcoming from HarperCollins in early 2025. Her latest academic book, from Arizona State University Press, is a translation of selected works by the Argentinian author Jorge Luis Borges, entitled Borges on Shakespeare.
Grace Tiffany talks about writing, history, and fiction with Texas Radio's Jim McKeown at http://kwbu.org/post/behind-story-interview-grace-tiffany
To enter the vale of academia, scroll down.
GRACE CLEVELAND TIFFANY curriculum vitae
English Department, Western Michigan University, Kalamazoo, MI 49008
AREAS OF INTEREST AND EXPERTISE
Shakespeare, Renaissance drama and literature
ACADEMIC DEGREES
Ph.D., English, University of Notre Dame (1989)
Major field: Shakespeare and Renaissance Drama
Dissertation: "Power Plays: The Construction of Kingship in Shakespeare's Henriad"
M.A., English, University of Notre Dame (1985)
B.A., cum laude, Duke University (1980). Majors: English and History
TEACHING
Fall, 1995- Professor (from 2003), Western Michigan Univ. (WMU)
- Shakespeare (graduate and undergraduate: ENGL 2520, 4520, 6100, 6520, 6530)
- Studies in Drama (undergraduate and graduate: ENGL 4420, 6420)
- Holy Road Trips (4100; team-taught special topics class)
- Renaissance Literature (graduate: ENGL 5320)
- Non-Shakespearean Renaissance Drama (graduate: ENGL 5970)
- M.A. Capstone Essay seminar (ENGL 6900)
- British Literature I (ENGL 3300)
- Narnia, Mordor, and Other-worlds (ENGL 2980)
- Literary Interpretation (ENGL 1100)
- Thought and Writing (ENGL 1050)
- Practicum in Teaching (ENGL 7130)
- Graduate study in Renaissance literature & doctoral readings (ENGL 7100, 7110)
- Ph.D. dissertation committee and honors thesis committee service / leadership
1990-95 Asst. Prof. Univ. of New Orleans (UNO): Tenured, promoted to associate, 4/95
-- Introduction to Poetry and Drama
-- English Composition
-- M.A. Thesis Direction (Shakespeare)
-- Shakespeare's Early Plays
-- Shakespeare's Late Plays
-- Introduction to Shakespeare
-- Renaissance Revenge Tragedy (graduate)
-- Sixteenth-Century Literature (graduate)
-- Independent Study in Shakespeare
-- Independent Study in Greek Tragedy
-- British Literature 800-1800 A.D.
-- Western Civilization: The Greeks (honors, team-taught)
-- Honors Writing Seminar
-- Written Argumentation
1989-90 Visiting Assistant Professor, Fordham University
-- Elizabethan and Jacobean Comedy
-- Chaucer, Shakespeare, and Milton
-- Seventeenth-Century Poetry
-- Tutorial: Shakespeare's Comic Heroines
-- World Drama
1985-89 Instructor, University of Notre Dame
-- World Drama
-- Regular and Remedial English Composition and Literature
OTHER PROFESSIONAL EXPERIENCE
2020-23 Program Committee, International Congress on Medieval Studies, Kalamazoo, MI
1999-2000 General editor, WMU self-assessment report for NCA re-accreditation
1995-2000 Editorial Board, Comparative Drama
1995-97 Associate Editor, Comparative Drama
1993 Dramaturg, New Orleans Center for Creative Arts, The Comedy of Errors (Ray Vrazel)
1990 Dramaturg, Riverside Shakespeare Company, NYC (Timothy Oman)
1983-85 Professional writing (informational brochures and newsletter) for Kalamazoo
Alcohol & Drug Abuse Council (now Gateway Services), Kalamazoo, MI
1982-83 Professional writing for Robert J. Harmon & Assoc., a Washington, D.C., firm
PUBLICATIONS
BOOKS:
Ed., Borges on Shakespeare. Tempe, AZ: Arizona Center for Medieval and Renaiss. Studies Press, 2018.
Ed., with Margaret Dupuis. Approaches to Teaching Shakespeare’s ‘The Taming of the Shrew’.” NY: Modern Languages Association, 2013. (Teaching Literature Book Award nominee, 2015.)
Ed., The Tempest, by William Shakespeare. Evans Shakespeare Series. NY: Cengage, 2011.
Love’s Pilgrimage: The Holy Journey in English Renaissance Literature. Newark: U of Delaware P, 2006.
Ed. and intro., Reformations: Religion and Rulership on the Sixteenth-Century English Stage. Kalamazoo: Medieval Institute Publications, 1998.
Erotic Beasts & Social Monsters: Shakespeare, Jonson, and Comic Androgyny. Newark: U of Del. P, 1995.
Cymbeline, Shakespeare. New Variorum Edn. Ed. Maurice Hunt. Assistant editor (Tiffany). Forthcoming.
NOVELS: The Owl Was a Baker’s Daughter, forthcoming from Harper, 2025 (Spanish transl. 2026); Gunpowder Percy, Bagwyn Books, 2016; Paint, Bagwyn Books, 2013; The Turquoise Ring, Berkley, 2005 (Hebrew and Russian 2008; Hungarian 2010); Ariel, HarperCollins, 2005; Will, Berkley, 2004; My Father Had a Daughter: Judith Shakespeare’s Tale, Berkley, 2003 (Film Option: Entitled Entertainment, 2003).
POEMS: “Gertrude and Ophelia,” New Orleans Review, Spring, 2016, p. 22.
SHORT STORIES: “Everyone and No One,” in Borges on Shakespeare, ACMRS Press, 2018.
“Subjectivity,” NPR Three-Minute Fiction, March, 2010
BOOK CHAPTERS AND ESSAYS IN COLLECTIONS:
“Twisted Shakespeare.” Routledge Companion to Shakespeare and Bioadaptation, ed. Pete Smith, 2026.
“Shakespeare Adapts.” Selected Papers of the Ohio Valley Shakespeare Conference. Vol. 14. 2024. Web.
“C. S. Lewis and Deathly Repetition (Including a Way Out for Screwtape).” Critical Insights: C. S. Lewis, ed. Robert C. Evans. Ipswich, MA: Salem Press, 2023, pp. 222-32.
“Plague in Shakespeare’s Time.” Corona Crisis: Gems from Debris, ed. Vikram Chopra. Delhi: Heritage, 2021, pp. 172-75.
“Shakespeare’s Savage Trees.” In Reading the Natural World: The Environment and the Ecology in the Global Middle Ages and Renaissance. Ed. Tom Willard, Belgium: Brepols, 2020, 197-208.
“Tolkien’s and Shakespeare’s People-Trees.” The Faithful Imagination: Papers from the 2018 C. S. Lewis Colloquium. ed. Joe Ricke and Ashley Chu. Hamden, CT, 2019: 196-205.
“Friendship and Hierarchy in Tolkien and Lewis.” Inklings Forever: Published Colloquium Proceedings 1997-2016. Vol. 10, Article 87. Available at https://pillars.taylor.edu/inklings_forever/vol10/iss1/87.
“Shakespeare’s Playwrights.” Shakespeare the Man, ed. R. W. Desai. Fairleigh Dickinson U P, 2014. 1-16.
“Shakespeare, Anti-Gallicism, and the Geneva Bible.” Word and Rite: The Bible and Ritual in Selected Shakespeare Plays, ed. E. Beatrice Batson. Cambridge, MA: The Scholar’s Press, 2010, 23-44.
“Hamlet, Reconciliation, and the Just State.” Reconciliation in Selected Shakespearean Dramas, ed. E. Beatrice Batson. Cambridge, MA: The Scholar’s Press, 2008. 43-67.
“Hamlet and Protestant Aural Theater,” Shakespeare’s Christianity: The Protestant and Catholic Poetics of Julius Caesar, Macbeth, and Hamlet, ed. E. Beatrice Batson. Waco, TX: Baylor U P, 2006, 73-90.
“Borges and Shakespeare, Shakespeare and Borges.” Latin-American Shakespeares, ed. Bernice Kliman and Rick Santos. NJ: Fairleigh Dickinson University Press, 2005, 145-65.
“Names in The Merchant of Venice.” The Merchant of Venice, ed. Mahons. NY: Routledge, 2002. 353-67.
“Calvinist Grace in Shakespeare’s Late Plays.” Selected Comedies and Late Romances of Shakespeare from a Christian Perspective, ed. E. Beatrice Batson. NY: Mellen, 2002.
“Eden and the New World in Shakespeare’s The Tempest.” Critical Essays on the Myth of the American Adam, ed. Patea, DÃaz-Sanchez. Salamanca: Ediciones Universidad de Salamanca, 2001. 45-52.
“Elizabethan Constructions of Kingship.” The Iconography of Power on the Renaissance Stage, ed. György Szönyi & Rowland Wymer, Papers in English & American Studies, vol. 8.Szeged, Hungary: Institute of English and American Studies, 2000. 89-116.
“How Revolutionary Is Cross-Cast Shakespeare?" Shakespeare: Text and Theater, ed. Lois Potter and Arthur Kinney. Newark: U of Del. P, 1999. 120-35.
JOURNAL ARTICLES
“Macbeth, Herod, and the Ars Moriendi,” Medieval and Renaissance Drama in England 38 (2025).
“’Who is’t can read a woman?’ The Power of ‘Nothing’ in Shakespeare’s Plays.” An Unexpected Journal, December, 2022 (5:4): 90-106.
“Paganism and Reform in Shakespeare’s Plays.” Religions 2018, 9 (7), 214 ff. Web.
“’Action may / conveniently the rest convey’: Shakespeare and the Stage Translation of Gower." English Studies 96:8 (December, 2015): 880-890.
“C. S. Lewis: The Anti-Platonic Platonist.” Christianity and Literature 63:3 (Spring, 2014): 357-71.
“Shakespeare’s Miracle Plays.” English Studies 93:1 (Feb. 2012): 1-13.
“Shakespeare’s Parables.” Reformation 16 (2011): 145-161.
“Rank, Insults, and Weaponry in Shakespeare’s Second Tetralogy.” PLL 47:3 (Summer, 2011): 295-317.
“Law and Self-Interest in The Merchant of Venice.” PLL 42:4 (Fall 2006):384-400. Repr. Bloom’s Modern Critical Interpretations: _The Merchant of Venice_, ed. Harold Bloom. NY: Infobase, 2010. 173-185.
“Hamlet, Reconciliation, and the Just State.” Renascence 58:2 (Winter 2005): 111-134.
“Hamlet and Protestant Aural Theater.” Christianity and Lit. 52:3 (S 2003):307-24. Repr. Gale, 2007.
“Shakespeare and Santiago de Compostela.” Renascence 54:2 (Winter 2002): 87-107.
“Calvinist Grace in Shakespeare’s Romances. Christianity and Literature 49:4 (Summer 2000): 1-25.
"Shakespeare's Dionysian Prince." Renaissance Quarterly 52:2 (Summer 1999): 366-81. Repr. Bloom’s Shakespeare Through the Ages: _Henry V_, ed. Harold Bloom. NY: Infobase, 2010. 233-48.
"Puritanism in Comic History: Destabilizing Hierarchy in the Henry Plays." Shak. Stud. 26 (1998): 256-87.
"Macbeth, Paternity, and the Anglicization of James I." Studies in the Humanities 23:2 (Dec. 1996):148-62.
"Doing Much Ado with Undergraduates." Shakespeare and the Classroom 4:2 (Fall 1996): 68-71.
"Anti-Theatricalism and Revolutionary Desire in Hamlet." The Upstart Crow 15 (1995): 1-14.
"`That Reason Wonder May Diminish': Shakespeare, Androgyny, and the Theater Wars." The Huntington Library Quarterly 57:3 (Summer 1994): 213-39.
"Not Saying No: Female Self-Erasure in Troilus and Cressida." Texas Studies in Literature and Language 35:1 (Spring 1993): 44-56. Repr. in Shakespeare Criticism, ed. M. Lee, L.A.: Gale Group, 2001.
"Falstaff's False Staff: `Jonsonian' Asexuality in The Merry Wives of Windsor. Comparative Drama 26:3 (Fall 1992): 254-70. Repr. Shakespeare Criticism Yearbook, ed. Tardiff, Detroit: Gale Publ., Inc., 1994; and in Shakespearian Criticism, ed. Barnes, Detroit: Gale Publications, Inc., Winter, 1998.
"Our Mutual Friend in `Eumaeus': Joyce Appropriates Dickens." JML 16:4 (Spring 1990): 643-46.
BOOK AND THEATER REVIEWS:
“Side View of Macbeth: Ralph Fiennes,” The Shakespeare Newsletter 73 (1-2): Fall, 2024.
Adrian Streete, Protestantism and Drama in Early Modern England. Christianity and Literature 61:2 (Winter, 2012): 307-09.
William C. Carroll, ed., Love’s Labor’s Lost, William Shakespeare. English Studies 92:2 (2011): 229-30.
Ian McAdam, Magic and Masculinity in Early Modern English Drama. 17th- Century News 69:1-2 (Spring-Summer 2011): 27-30.
Robert Hornback, The English Clown Tradition from the Middle Ages to Shakespeare. The Shakespeare Quarterly 61:4 (Winter, 2010): 590-592.
Stratford Shakes. Festival, Bartholomew Fair, Shakespeare Newsletter 59:3(279) (W 2009-10): 87-88.
Jeanne Addison Roberts. Literary Criticism as Dream Analysis: Essays on Renaissance and Modern Writers. The Shakespeare Newsletter 59:2, 278 (Fall 2009): 75-76.
Tho. Rist, Revenge Tragedy & the Drama of Commemoration in Early Modern England. EngSt 90:6 (’09)
A. D. Nuttall, Shakespeare the Thinker. Christianity and Literature 57:3 (2008): 473-76.
Julie Crawford, Marvelous Protestantism: Monstrous Births in Post-Reformation England. Medieval and Renaissance Drama in England 21 (January, 2008).
Kenneth Gross, Shakespeare’s Noise. Comparative Drama 35:3-4 (Spring 2002): 479-82.
Patrick Cheney, Marlowe's Counterfeit Profession. Comparative Drama 34:1 (Spring, 2000): 121-24.
Frank Whigham, Seizures of the Will in Early Modern English Drama.17th-Century News 56:3(1998):80-2.
John Kerrigan, Revenge Tragedy: Aeschylus to Armageddon. Comparative Drama 31:2 (1997): 326-28.
James Shapiro, Shakespeare and the Jews. Comparative Drama 30:3 (Fall 1996): 415-17.
Alan Dessen, Recovering Shakespeare's Theatrical Vocabulary. Comparative Drama 29:4 (W’96):532-34.
John Drakakis, ed., New Casebooks: Antony and Cleopatra. Shakespeare Newsletter 45:2 (225, 1995): 42.
Marco Mincoff, Things Supernatural and Causeless, and James Howe, A Buddhist's Shakespeare. Comparative Drama 29:2 (Summer 1995): 290-94.
Anne Barton, Essays: Mainly Shakespearean. Comparative Drama 28:4 (Winter 1994-95): 539-42.
David Farley-Hills, Shakespeare and the Rival Playwrights: 1600-1606. Medieval and Renaissance Drama in England (October 1994): 367-71.
Brian Vickers, Appropriating Shakespeare. Comparative Drama 28:2 (Summer 1994): 252-57.
G. Holderness, N. Potter, & J. Turner, Shakespeare:The Play of History. Sh. Studies 21 (1992): 274-78.
Margaret P. Hannay, ed., Silent but for the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works. Religion and Literature 20:2 (Summer 1988): 95-97.
VARIA:
Outside reviewer, promotion, Ithaca Col., 2024, Tulane, 2021; tenure, U of Mass-Boston, 2014, 2009
Periodical reviews for The Shakespeare Newsletter (quarterly), 1994 through 2024
Liner notes (with Delfeayo Marsalis), Branford Marsalis's Bloomington, CBS Records, April 1993
Comment, "Forum," PMLA 104:2 (March 1989): 217.
Engaged by Broadview Press to evaluate edition of Henry IV, part 1, for publication, 2012
Ms. reader: Palgrave-Macmillan, Routledge, Bloomsbury, Journal of Comparative Literature, Comparative Drama, Christianity and Literature, PLL, Renaissance and Reformation, JEMCS, Shakespeare
PROFESSIONAL RECOGNITION / AWARDS
Invited plenary speaker, South Central Renaissance Association annual meeting, St. Louis, June, 2025
Timothy Hurttgam Memorial Faculty Award for Special Scholastic Achievement 2022
Invited Shakespeare speaker, Oakland U, March, 2020, “Shakespeare and Gunpowder”
Invited Judge, C. S. Lewis and Friends Colloquium Undergraduate Writing Competition, May, 2020
Invited speaker, Taylor University “Making Literature” Conference, March 2-4, 2017
Invited speaker, Wayne State Celebration of First Folio Tour, Detroit, March 10-12, 2016
Hudson Strode invited speaker, University of Alabama (sponsored by their English dept.), February, 2014
Invited speaker, “Sunday Salon,” Chicago, January, 2014
Invited keynote speaker, Shakespeare at Kalamazoo annual meeting, 49th Medieval Congress, 2014
Semi-finalist, Faulkner-Wisdom Writing Contest 2013, Creative Nonfiction Category, for Luck
Distinguished University Professor, Western Michigan University, 2010
Sigma Tau Delta English Honor Society, honorary faculty member (student-given award), 2010
Invited undergraduate thesis director (and speaker), Knox College, 2010
Keynote speaker, Wheaton College Summer Shakespeare Institute, 2008
College of Arts and Sciences Faculty Achievement Award in Research and Creative Activity, 2007
Invited participant (with $900 award), Liberty Fund Annual Colloquium, Indianapolis, Oct., 2007
Invited lecturer for “The Vocation of Seeking Truth,” WMU Graduate College lecture series, 2007
Featured Speaker, “Shakespeare and Shylock,” Jewish Historical Society of Washington, D.C., May, 2007
Featured Writer, Western Illinois University Creative Writing Festival, 2007
Sakura Medalist (for Ariel), Japan, 2006-07
Invited panelist, Kalamazoo College, community “Reading Together” event, February, 2007
Ariel (historical novel) listed as a Best Book for Young Adults by American Library Association, 2006
Invited speaker, George Mason University Lifelong Learning Institute, 2006
Invited speaker, Andrews University, 2005
Invited speaker, Central Michigan University, 2005
Invited to be one of panel of authors (subject: historical fiction), Ann Arbor Literary Festival, 2005
My Father Had a Daughter chosen by Booksense 76: Independent Booksellers’ 76 Best Books 2003
FRACASF grants, Western Michigan University, 1996, 2002, 2006, 2011
Sabbatical leave granted 2001-02, 2008-09, Fall 2015, by WMU
Invited lecturer, University of Salamanca, Spain, March, 1999
Invited speaker, Wheaton College Summer Shakespeare Institute, 2005, 2003, 1999, 1996
Selected to participate, Calvin College Faculty Seminar on Puritanism, 1997 -- $2500 grant
Invited speaker (on Shakespeare), Knox College, Oct., 1996
Invited speaker, Grand Valley State University’s Shakespeare Festival, 1996
University of New Orleans Summer Scholarship Funding, 1991, 1992, and 1994
1993 University of New Orleans English Department nominee for Outstanding Scholar Award
1992, 1993 University of New Orleans Liberal Arts College junior nominee for NEH Grant
University of New Orleans Liberal Arts Research Award, 1991
Notre Dame: Zahm Grant for research overseas, 1988, and Dissertation Year Fellowship, 1988-89
PROFESSIONAL CONFERENCES: Papers, Roundtables
“’A Fugitive and Cloistered Virtue’: Reconciling Book 9 of Paradise Lost with Milton’s Areopagitica.” Milton Society of America, St. Louis, June, 2024
“Shakespeare’s Medievalism,” organizer and presider, Int’l Medieval Congress, Kalamazoo, May, 2024
“Macbeth, Herod, and the Ars Moriendi,” Roundtable, Int’l Medieval Congress, Kalamazoo, May, 2024
“Mirrors and Doubling in Shakespeare,” Renaissance Society of America, Chicago, March, 2024
“What Happened to Hermione?” Roundtable discussion, Kzoo Medieval Congress, May, 2023
“Shakespeare’s Otherworlds,” Shakespeare Assn. of America, Minneapolis, March, 2023
“Shakespeare Adapts,” Ohio Valley Shakespeare Conference, Oct., 2022
“A Second Chance for Screwtape,” Taylor University C. S. Lewis Colloquium, May, 2020
“Shakespeare’s Guns,” Blackfriars Theater History Conference, Staunton, VA, October, 2019
Moderator, “C. S. Lewis and the Consolation Tradition,” Medieval Congress, Kalamazoo, MI, May, 2019
“Shakespeare’s Secular Saints,” Shakespeare Association of America, Washington, D.C., April, 2019
“Tolkien’s and Shakespeare’s Trees,” C. S. Lewis Biannual Conference, Taylor U., Upland, IN, June, 2018
“C. S. Lewis and Deathly Repetition,” International Medieval Congress, Kalamazoo, MI, May, 2018
“Shakespeare’s Savage Trees,” ACMRS Conference, Phoenix, February, 2018
“Lewis, Tolkien, and Friendship,” C.S. Lewis Biannual Conference, Taylor U., Upland, IN, June, 2016
“Jonson, Shakespeare, Print, Stage,” Shakespeare Association of America, New Orleans, March, 2016
“Shakespeare and Historical Fiction,” ACMRS, Phoenix, February, 2016
“Print and Coin in Shakespeare and Jonson,” Shakespeare Theatre Conference, Stratford, ON, June, 2015
Moderator, C. S. Lewis and Medievalism panel, 50th Medieval Congress, Kalamazoo, MI, 2015
“Shakespeare and the Stage Translation of Gower.” 3rd Gower Conference, U. of Rochester, June, 2014
“Shrews before Shakespeare,” panel participant, 49th Medieval Congress, Kalamazoo, MI, May, 2014
“C. S. Lewis’s Platonism,” 48th Medieval Congress, Kalamazoo, MI, May, 2013
“Shakespearean Legs and Swords,” Shakespeare Association Annual Meeting, Toronto, March, 2013
“Shakespeare’s Parables.” Medieval Congress, Kalamazoo, MI, May, 2012
“Shakespeare, Parables and the Bible.” Purdue Renaissance Prose Conference, September, 2011
“Shakespeare’s Miracle Plays,” 45th International Medieval Congress, Kalamazoo, MI, May, 2010
“Shakespeare and Gunpowder,” Shakespeare Association of America, Washington, D.C., April, 2009
“Shakespeare, Anti-Gallicism, and the Geneva Bible,” Wheaton College Shakespeare Inst., 2008
“Broken Ceremonies and Abortive Rituals in Shakespeare,” Wheaton College Shakespeare Inst., 2008
“Shakespeare’s Anti-Gallicism,” Group for Early Modern Cultural Studies (GEMCS), Chicago, 2007
“Law and Self-Interest in The Merchant of Venice,” Ohio Shakespeare Conference, Nov., 2005
“Reconciliation in Hamlet.” Summer Shakespeare Institute, Wheaton College, June, 2005
“The Just State in Hamlet,” 40th International Medieval Congress, Kalamazoo, MI, 2005
“Imperial Pilgrimage in Shakespeare,” Shakespeare Association of America (SAA), New Orleans, 2004
“Shakespeare Calls on the Gods,” Blackfriars Conference, Staunton, VA, October, 2003
“Hamlet and Protestant Aural Theater” (& Hamlet workshop), Wheaton Col. Shakespeare Inst., June 2003.
“Shakespeare and Santiago de Compostela,” SAA, Minneapolis, March 23-25, 2002
“Time and Virginity in Othello,” GEMCS, New Orleans, LA, Nov. 16-19, 2000
"The Ethic of Work in Shakespeare's Henriad," GEMCS, Miami, Fla., Oct., 1999
"Tragedy in Shakespeare's Romances," and led workshop, Shakespeare Inst., Wheaton Coll., June, 1999
"Eden in Shakespeare's The Tempest," Congress on The American Adam, Salamanca, Spain, March, 1999
Folger Shakespeare Library, “Shakespeare and the Jews”: With L. Apelbaum, Director, Jewish Historical Society of Washington, D.C., arranged talk by James Shapiro of Columbia U., July, 1998
Organized, chaired panel, "Shakespeare's Medievalism," 32nd Medieval Congress, Kalamazoo, MI, 1997
"Shakespeare's `Athenian' History Play," SAA, Washington, D.C., March 26-19, 1997
Led seminar: Teaching Shakespeare’s Much Ado about Nothing, Wheaton Col. Shakesp. Inst., June, 1996
"Macbeth, Paternity, and the Anglicization of James I," Medieval Studies Congress, Kalamazoo, MI, May 9-12, 1996. Also chaired a session on Shakespeare and medieval drama at this congress.
"Jessica's Ring," Ohio Shakespeare Conference, Wright State Univ. (Dayton), Feb. 28-March 1, 1996
"Shakespeare, Post-Structuralism, and the Bible," Lit. & Spirit Conf., St. Xavier U, Chicago, Oct., 1995
"Stichomythic Blank Verse in Shakespearean Comedy," SAA, Chicago, April, 1995
"How to Stop a Long-Winded Speaker" (parody panel), MLA, San Diego, Dec., 1994
"Anti-Theatricalism in Hamlet (Or, the Play Without the Play)," SAA, Albuquerque, April, 1994
"As You Like It as Shakespeare's Blast in the Theater Wars," SCLA, Austin, Texas, Oct., 1993
“Plato, Androgyny, and Renaissance Classicism.” Southeast Mediev. Assn., Tulane, New Orleans, 1993
“Conjugal Beasts and Social Monstrosities,” 2nd Conference on Arts and Public Policy, Orlando, 1993
"Ben Jonson and the Androgyne," Sixteenth-Century Studies Association, Atlanta, Oct., 1992
"Lyly, Shakespeare, and the Monstrous Androgyne," SAA, Kansas City, Kansas, April, 1992
"Falstaff's False Staff: `Jonsonian' Asexuality in The Merry Wives of Windsor," South Central Renaissance Conference, New Orleans, April, 1991
"Uncontainable Subversion in Shakespeare's Second Tetralogy," First Conference on Arts and Public Policy, Orlando, Florida, March, 1991
"Elizabethan and Stuart Political Emblems." Glasgow Internat’l Emblem Conference, Scotland, Aug., 1990
"Tamburlaine & Marlovian Skepticism," 2nd Conf., Marlowe Society of America, Oxford, UK, Aug. 1988
"Richard Lovelace's Royalist Love Poetry," Second Annual Interdisciplinary Conference, Centre for Seventeenth-Century Studies, Durham, England, July, 1987
"Tamburlaine’s Tragedy,"
Summer Renaissance Conference, Newberry Library, Chicago, June, 1985
UNIVERSITY SERVICE
Western Michigan University
2023-25 Chair, English Department Tenure and Promotions Committee
2022-24 Co-Chair, English Department Policy Committee
2022-23 Board Member, Medieval Institute (and congress program committee, 2020, 2022, 2023)
2020-22 College of Arts and Sciences Curriculum Committee
2018-20 WMU College Promotion Committee
2018-19 Chair, Sabbatical Leave Committee
2017-19 WMU English Dept. Tenure and Promotions Committee
2015-16 Departmental Strategic Planning and Assessment Committee
2015-16 Member, graduate student orals committee
2014 – 16 (and 1996-98) Member, secretary, co-chair, departmental policy committee
2013 Director, undergraduate honors thesis
2013 - Member, university teaching mentor committee
2013-15 (and 1998-2000) Member, departmental graduate committee
2012-13 Member, departmental morale committee
2005-07, 09-11, 14-15 Co-chair or member, English department Tenure and Promotion Committee
2010 Chair, departmental Sabbatical Leave Committee
2009 Member, ad hoc committee to contribute to formation of WMU Strategic Plan
2005-08 College Promotions Committee (2007-08 chair, humanities subdivision)
2007 Member, ad hoc committee to suggest changes for departmental policy statement
2007 Member of group of university facilitators for community “Reading Together” event
2007 Member, FRACASF grant-awarding committee
2005-06 Member, ad hoc committee to compile graduate program self-assessment report
2004-05 Chair, departmental search committee, Early Modern Drama candidate
2004 Inviter and host of Colloquium Committee featured speaker David Bevington
2003-04 Member, interdepartmental Hiring Committee for new Dean of Arts of Sciences
2003-04 Member, English department Tenure and Promotion Committee
2003-04 Chair, departmental search committee, Renaissance literature candidate
1999-2001 Member, Faculty Senate
1999-2000 Editor, WMU self-assessment report for NCA academic accreditation
1998-2000 Ad hoc committee on hiring drama fellow
1997-99 Ad hoc committee on and author of student rights & responsibilities policy statement
1996-98 University Undergraduate Studies Committee
1996-98 English Department Personnel Committee
1995-96 English Department Undergraduate Committee
University of New Orleans
1994-95 English Department Undergraduate Advisory Committee
1993-95 Editor, English departmental newsletter
1993-95 Undergraduate Grade Appeals Committee
1991-93 Secretary, English Department Graduate Advisory Committee
1992 Ad hoc committee to refine writing proficiency exam
1991-92 Ad hoc committee to explore comparative studies degree
Fordham University: 1989-90 Helped develop university plagiarism policy
COMMUNITY SERVICE
2020 Volunteer, Soul Box Gun Violence Awareness Project, Washington, D.C.
2019 Participant, Extinction Reaction (Climate Change Action Group)
2019 With Beth Bradburn, led Adult Spelling Bee fundraiser FBO Kalamazoo Public Library
2016- Volunteer with Syrian immigrants’ accommodations to Kalamazoo
2013 Volunteer, Kalamazoo Gospel Mission store
1995-96 Adult reading tutor, Kalamazoo, Michigan
1991-95 Volunteer, Operation Mainstream (adult literacy tutoring), New Orleans, LA
I just finished your novel. WILL.... I HAVE ONLY WRITTEN TO ONE OTHER AUTHOR.... a navy seal, after reading his book...I have devoured books since I learned to read and I am now 67! My mom said the worst thing she did was senf me to school to learn to read...there after. Instead of doing chores (I was the eldest of 12)... I would have my nose in a book....your novel is one of the best I have ever read! I am dad to heat toy cut out 800 pages of your original.. wish I could read them...I will buy your other books...and will be anxious to recieved them. I am a retired teacher...I was am English major at Penn State...add I read this novel it was if someone who lived in Shakespeare's time wrote the novel...your use of words was something I can't describe..'God hath time to pick nits...I do not' as said by Anne....or on p101 in my book...hardback...the paragraph that starts !the new play burned in his mind like a sparked thatch roof.....the way if the powerful was not to redeem...or spread live or given wisely or we'll, but only to make the world reflect their names'....many others...I digger the lashes if novels I read and then scratch my fingernail beside words that interest me...my daughter thought they areare bookmarks...I told her no matter how many books I read at a time... I can find my place workout a bookmark and don't mind rereading a page or 2....I use my phone as my computer and use swype to type and sometimes I don't catch what I should edit.... I also use 3 dots a lot because I can't see
ReplyDeleteWhat I have typed in entirety and dint want to be advised of not using complete sentences....thanks for writing this novel that helped me pass many hours enjoying life...and living another's lifetime through a great book...I almost always read historical fiction and your book is one I thinknow Will would say...ELK DONE GRACE!