Wednesday, April 1, 2020
Sunday, March 1, 2020
Indeed, English Renaissance writers tended only to fantasize about what we would call socialism. In his 1513 Utopia, Thomas More envisions a society in which all property is equally shared, but in real life, he lived in a manor, and expended no effort, in his influential role as Lord Chancellor, to urge laws that might redistribute royal wealth, or the wealth of privileged men like himself. In The Tempest, written nearly a century later, Shakespeare's kindly old nobleman Gonzalo imagines a "commonwealth" where there will be neither riches nor poverty, no commerce or forced labor, and no "sovereignty," but places himself as "king on't," as though "the latter end of his commonwealth forgets the beginning." Renaissance literature is full of ideas about equalizing wealth and eliminating poverty, but the ideas are always
Saturday, February 1, 2020
A post-colonially-minded colleague of mine once asked to visit my Shakespeare class, and I said, sure! Turns out this professor wanted to tell my students the reason Shakespeare was a requirement for their degree was that in the prior century in India, the British Raj had determined that requiring the study of Shakespeare in schools was an effective instrument of cultural indoctrination and control. Cricket was the English national game, and Shakespeare was the English national poet. This data excited one of my students, who never did the reading, but the rest were simply puzzled.
I never invited my colleague back.
What that colleague told my students was partly true, but not useful. India was the first geographical locale to require Shakespeare for formal study in English, since Shakespeare was seen as a conduit to the appreciation of what was most admirably English. However, as most people who have read any Shakespeare know, Englishness and Raj aside, Shakespeare is an excellent writer with a lot of fascinating ideas, so requiring him to be studied in any English class, east or west, is not such a bad idea for a whole slew of reasons. In a Shakespeare class, there are more fruitful ways of discussing his poems and plays than by showcasing their dubious history as tools of cultural indoctrination.
India didn't throw out cricket when they threw out the British, and they didn't throw out Shakespeare. He was too popular. As in other countries, Shakespeare has been used and enjoyed in India in all kinds of interesting ways, suspicious and otherwise. Knowledge of Shakespeare in English served as "cultural capital" for the "upper-class, elite Indians" of nineteenth-century Calcutta, to quote scholar Jyotsna Singh. But Shakespeare has also been translated into numerous Indian languages;
Monday, January 6, 2020
I usually post on the first of the month, but this month I held off for the Feast of the Epiphany. I had no idea what "epiphany" meant growing up, and learned it as a literary term having to do with James Joyce before I ever knew what a liturgical calendar was (we were "low" Protestants) and before I lived in New Orleans and found out about Kings' Day (on January 6th, the celebration of the arrival of the three kings to visit the baby Jesus). This revelation was the Epiphany. In later years I discovered from the Oxford English Dictionary that my own last name, "Tiffany," originated in slang for "Epiphany," which in England was sometimes called "the Tiffany" (God knows why). And before that, I had learned what was meant by Twelfth Night.
In Shakespeare's England, Twelfth Night was the last night of the Christmas holiday, and (despite Puritan reformers' dismay) was still celebrated in many of the lordlier households and by many of the rowdier London youth in a Mardi Gras like atmosphere of mayhem and misrule. Twelfth Night is the fifth of January, or the eve of the Epiphany. In Shakespeare terms, Twelfth Night is of course the title of one of his most famous plays, although, true to Shakespeare's occasional habit of
Sunday, December 1, 2019
I knew instantly whose treasure this had been. My grandmother Teresa Tiffany, nee Crowley, born on July 28th, 1900 (my own birthday some six decades later), had for the entire time I knew her on this earth bragged about her experiences acting on the New York stage, while my mother discreetly rolled her eyes. "I was in the theatah!," Nana would proclaim, her arm raised high like SNL's Master Thespian,
Friday, November 1, 2019
For those who don't know the story: November 5, 1605, was the date on which a group of English Catholic zealots planned to blow up the House of Lords, killing the Protestant King James and all of his Protestant ministers of state; and to begin the restoration of England to a Catholic monarchy. Various Catholic candidates were considered for the soon-to-be-empty throne. Only things never got to that point, because someone leaked, and the barrels of gunpowder were discovered in the parliamentary cellarage right on the eve of the planned massacre (scheduled to occur on Parliament's opening day, for maximal bloodshed). Guy Fawkes was not the head of the conspiracy. He was only the plotter unlucky enough to be found guarding the gunpowder. Presumably he'd been given the task of lighting the fuse. Instead, after a bout of Tower torture, he accepted the job of pinpointing the other conspirators, and for months thereafter, it was more dangerous than ever to be a Catholic in England.
What does this have to do with Macbeth? Well, it is widely agreed among scholars that this play, performed in 1606 and focused on Scottish king-killing (the new king of England, James I, was Scottish), was written in part to capitalize on the public's interest in recent events. More than that, the play's famous Witches, who utter the deceptive prophecies that lead king-killer Macbeth to his doom, are thought to have been a fanciful allusion to the Catholic priests who were in on the plot. In Shakespeare's time Catholic priests were banned from England's shores on pain of death, but priests sneaked in anyway, proselytizing, serving the needs of the faithful, and, in some cases, looking the other way when Catholic plotters came to them seeking absolution for planned acts of terrorism. Well-meant terrorism; that is. Terrorism in the long-term interests of England's collective soul.
When the Gunpowder Plotters so spectacularly failed, the climate became ripe for a play which exploited English fears of Catholic violence and reminded Londoners what a very bad thing it was to kill a king. We can imagine that King James, who was now Shakespeare's company's official patron, also liked to have this last message spread about. Was Shakespeare himself Catholic, as some (Catholic) Shakespeareans are so fond of arguing? Stranger things have turned out to be true, although Macbeth's anti-Catholicism is part of the mountain of evidence to the contrary that, to prove their contention, would need to be explained away. To me it seems that Shakespeare's plays, Macbeth included, tell us nothing about where he stood on the Catholic question. Macbeth does, however, confirm that he knew what an audience might like to see in 1606.
Remember, remember, the Fifth of November, the Gunpowder Treason and Plot! There's really no reason that gunpowder treason should ever be forgot. In England, on what they also call "Bonfire Night," it is not forgot(ten). Nor is it in my classroom. I already have my Guy Fawkes mask ready.
Tuesday, October 1, 2019
1. "Now does he feel his title / Hang loose about him, like a giant's robe / Upon a dwarfish thief" (Macbeth 5.2). I quote this line with apology to dwarfs. And