Wednesday, February 1, 2017
- Spanish Civil War For Losers. Glad I Didn't Go.
- Can't Decide Whether Poetry Changes Anything or Not
- Seven Tips for Staying Gay and Sane in Oxford c. 1955
and so on.
Now, it occurs to me that if we can sign up to receive updates from Auden, even more enthralling possibilities exist. As far as I know, William Shakespeare has at
Sunday, January 1, 2017
Thursday, December 1, 2016
Shakespeare’s political plays are full of power conflict. But the arguments mainly concern which individual person should be in charge of the country. Democracy? No.
Monday, October 31, 2016
Saturday, October 1, 2016
Yes, Patrick O'Brian of the Aubrey-Maturin series, the seemingly (and seamlessly) endless, continuous novel, published through the 1980s and 90s and focusing on the years between 1800 and 1815, when the British Navy was fighting Napoleon. The first book, Master and Commander, was made into a movie starring Russell Crowe. It was a pretty good movie, but no film could prepare a reader for the stunning excellence, the beauty, humor, and literary perfection, of these twenty novels. I have read all of them and I read them in one day. Or it seemed like a day.
How is it that O'Brian can write like Jane Austen -- and I mean with such absolute familiarity with her idiom, with the social practices, customs, and particularly the modes of speech of the early nineteenth century -- when, unlike her, he didn't live back then? Is he a time traveler? The depth of his understanding of not only British maritime life during that time of burgeoning empire, but of general middle- and upper-class Regency culture, is astonishing. It's as bottomless as the sea. O'Brian knows, for example, that the Royal Society was maintained by amateur scientists --
Thursday, September 1, 2016
We read, see, and perform Shakespeare because Shakespeare says it best. A lot of writers say it well, but nobody says it like Shakespeare. He expresses horrid feelings beautifully, which was one reason those very astute Puritan reformers
Monday, August 1, 2016
In fact, Paulson and the directors have it half right. The Roman mob was there, but it wasn't created or manipulated by Cruz. If we are drawing Julius Caesar comparisons, and listening and reading with care, it shouldn't take us long to see that Cruz was playing logical, unflashy Brutus, not flamboyant Antony, to this crowd.